A Living Chattel is a short story by Anton Pavlovich Chekhov. Anton Pavlovich Chekhov, (29 January 1860 - 15 July 1904) was a Russian physician, dramaturge and author who is considered to be among the greatest writers of short stories in history. His career as a dramatist produced four classics and his best short stories are held in high esteem by writers and critics. Chekhov practised as a medical doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress." Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." Chekhov had at first written stories only for financial gain, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. His originality consists in an early use of the stream-of-consciousness technique, later adopted by James Joyce and other modernists, combined with a disavowal of the moral finality of traditional story structure. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. Always modest, Chekhov could hardly have imagined the extent of his posthumous reputation. The ovations for the play, The Cherry Orchard, in the year of his death showed him how high he had risen in the affection of the Russian public-by then he was second in literary celebrity only to Tolstoy, who outlived him by six years-but after his death, Chekhov's fame soon spread further afield. Constance Garnett's translations won him an English-language readership and the admiration of writers such as James Joyce, Virginia Woolf, and Katherine Mansfield. The issues surrounding the close similarities between Mansfield's 1910 story "The Child Who Was Tired" and Chekhov's "Sleepy" are summarised in William H. New's Reading Mansfield and Metaphors of Reform The Russian critic D.S. Mirsky, who lived in England, explained Chekhov's popularity in that country by his "unusually complete rejection of what we may call the heroic values." In Russia itself, Chekhov's drama fell out of fashion after the revolution but was later adapted to the Soviet agenda, with the character Lopakhin, for example, reinvented as a hero of the new order, taking an axe to the cherry orchard. One of the first non-Russians to praise Chekhov's plays was George Bernard Shaw, who subtitled his Heartbreak House "A Fantasia in the Russian Manner on English Themes" and noted similarities between the predicament of the British landed class and that of their Russian counterparts as depicted by Chekhov: "the same nice people, the same utter futility."
What's a mother to do, besides dishes and dinners and dirty laundry? Being a mom is one of the very best "jobs" a woman can have, but sometimes it would be nice to slip away for a conference with other moms, right? Grateful mom, and now grandmother, Margery Kisby Warder invites readers to a "virtual" retreat that fits any mom's schedule and nearly every budget. Margery believes we need never outgrow our imaginative gifts, so she's prepared a "women's event" that an attendee holds in her hands. Of course a few friends could gather while little ones are preoccupied and discuss what the virtual guest speakers told about their lives as mothers. Who wouldn't want to hear from Eve? From Mrs. Noah? How about listening to wealthy Sarah and the lessons she's learned after giving birth to Isaac when she's ninety? These celebrity women of the Bible will the the presenters - but if you put the book down, you can come back to the very last word she spoke. Why, that may even be almost as good as getting together with other gals for a ladies' time away. The price of the ticket to this event is whatever you paid for the book. The worth? That depends upon how much you gather from the speakers, the author's comments, and the scriptures that are printed within the book for your easy access to them. Come on, get comfortable, the festival for women is about to begin and no one is going to take that spot reserved for you.
This extensive and detailed analysis compares Paul with the author of 4 Ezra against the background of Sanders's portrayal of early Judaism. 4 Ezra and Paul would seem to have one significant point in common: their common displacement from the covenantal 'pattern of religion' which was so prevalent in Early Judaism. It is from this perspective that Longenecker undertakes his comparison.
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